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Louis' reign saw major changes to the face of Paris; his mother commissioned the Palais du Luxembourg, while Cardinal Richelieu built the Palais Royal and rebuilt the Sorbonne. He also commissioned a number of major Baroque churches as a statement of the Catholic Counter-Reformation.

The city emerged into an energetic but restless interwar period, enlivened by the arrival of glamorous émigrés such as Josephine Baker. It was a troubled political period, however, especially when the Great Depression hit Paris.

Paris held out for four months, by which time starvation had taken hold and the population had been reduced to eating rats. The city finally surrendered on 28 January 1871 with punitive terms being inflicted on the defeated French. They were, in fact, unacceptably punitive in the eyes of many Parisians, who saw the peace treaty signed by the government of Adolphe Thiers as a betrayal.

Under de Gaulle's successors, Georges Pompidou and Valéry Giscard d'Estaing, Paris underwent major physical development. The radical Centre Pompidou was built along with the ultra-modern complex at La Villette (originally an abattoir, now a science museum).

Less positively and very controversially, the ancient market at Les Halles was demolished and replaced with a notoriously ugly underground shopping mall, and the 209m Tour Montparnasse skyscraper was built leading to fears that Paris would become overrun with American-style skyscrapers (a move strongly resisted ever since).

The powers of the monarchy were in theory confined by a Charter of Liberties but in practice both Louis and Charles ran an authoritarian regime reliant on Church support. On 25 July 1830 Charles issued the repressive Ordinances of St-Cloud, abolishing the freedom of the press, dissolving the Chamber of Deputies and restricting voting rights to the landed gentry only.